Emilia Martin, a cartographer of school maps, has plans for a cozy Christmas at home until her boss has a last-minute project for her, designing a novelty treasure map of the North Pole. Emilia decides to seek out the expertise of North Pole explorer Drew Campbell, who reluctantly agrees to help her. As the two work closely, they discover more than either of them ever expected.

Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.

In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.

A short film written by comics great Alan Moore, Jimmy’s End is a Lynchian noir about a Northampton writer and occultist who attempts to take over local people’s dreams on the way to taking over the world. It has an 18-minute prelude, Act of Faith.

This “Best Fiction Film Winner”* follows Valentine, a female assassin who is trapped in a room with one of her marks during the last few minutes of his life. The moment changes her own life as she vows to give up the business and seek redemption by finding the son of the man she has killed. But once in the small desert town of “Godfree”, which may or may not be stranger than the world she has just left, her old life returns to haunt her. Convinced she has joined forces with an elusive ex-assassin named “Cupid”, her former comrades hunt her down and soon discover that some things are not what they appear…. *Hollywood Documentary And Fiction Film Festival (2006)

Be amazed by little schools of fish that swim right into your living room. See squid and the elusive octopus up close, along with the magnificent manta ray, and experience dolphins and turtles as well. Shot in stereoscopic 3D, Amazing Ocean 3D is a breathtakingly beautiful 50-minute experience for your whole family.